Live 25 Mar 1977 version
[Spoken intro:] Are you prepared? I don't think you're ready yet — are you ready yet? Are you ready yet? Ah, we'll see, we'll see.
[P]One, two, three, four!
One, two, three, four!
Teardrops on the city
Bad Scooter searching for his groove
Seem like the whole world's walking pretty
You can't find the room to move
Everybody better move over, that's all
'Cause I'm running on the bad side
With my back against the wall
(Tenth Avenue freeze-out)
Say it, say it again
(Tenth Avenue freeze-out)
I was stranded in the jungle
Taking all the heat they were giving
Well, now, the night is dark and the sidewalk's bright
Lined with the light of the living
From a tenement window a transistor blasts
Turn around the corner things got real quiet real fast
Uh.
(Tenth Avenue freeze-out)
I walked into a (Tenth Avenue freeze-out)
And I'm all alone, I'm on my own
[Clarence Clemons:] Kid, you better get the picture
Well, I'm all alone, I'm on my own
And I can't go home
Now, but, but that's all right, 'cause I got this plan!
So I made that change uptown
And the Big Man joined the band
From the coastline to the city
The little pretties raise their hands
They raise them up!
I'm gonna sit back right easy and laugh
When Scooter and the Big Man bust this city in half, Big Man!
(Tenth Avenue freeze-out)
I'm talking 'bout a (Tenth Avenue freeze-out)
I'm talking 'bout the Tenth, (Tenth Avenue freeze-out)
Ain't nothing but the Tenth, (Tenth Avenue freeze-out)
I'm talking 'bout the, tell me (Tenth Avenue freeze-out)
Oh, nothing but the, tell (Tenth Avenue freeze-out)
Yeah, I'm talking 'bout the, tell, (Tenth Avenue freeze-out)
I'm done it! (Tenth Avenue freeze-out)
Say!
Step!
Whoa, yeah, it's all right
Yes, it is (oh, yeah)
The above lyrics are for the live 25 Mar 1977 performance of TENTH AVENUE FREEZE-OUT at Music Hall in Boston, MA, during what is known as The Lawsuit Tour. This was the last of four consecutive shows at the venue that concluded the tour. The song was played in a traditional full-band arrangement. It featured the Miami Horns quartet line-up #2: John Binkley (trumpet), Ed De Palma (saxophone), Dennis Orlock (trombone), and Steve Paraczky (trumpet and flugelhorn). Despite the similar name, this Philadelphia-based foursome (line-up #2) has no affiliation with Southside Johnny's Miami Horns.
Despite the marvelous reception received by both Born To Run and the tour which followed, the relationship between Bruce Springsteen and his now former manager and producer Mike Appel was deteriorating. In July 1976 the storm broke; Mike Appel wrote to Springsteen saying that he would not allow Jon Landau (Springsteen's friend and co-producer of Born To Run) to produce the next album, citing a particular paragraph from their original agreement. Springsteen replied on 27 Jul 1976 by firing manager Mike Appel and suing him and his management company Laurel Canyon Ltd. in Federal Court in Manhattan, claiming fraud, breach of trust, and undue influence. Appel counter-sued on 29 Jul 1976 in New York State Supreme Court, asking the court to prohibit Springsteen and Jon Landau from working together in studio. Bruce Springsteen & The E Street Band were slated to enter the studio that year for the recording of a new album, except that on 15 Sep 1976 the judge in the lawsuits case ruled that Springsteen was enjoined from any further recording with Columbia Records until Appel's suit was resolved. This would drag for about a year. Meanwhile, Springsteen continued gigging, and in the process broke his self-imposed rule of not playing the larger arenas. This was basically because he was not able to put a record out, and it was the only way his fans would be able to hear him at all. The tour became known as "The Lawsuit Tour" (62 know dates, August 1976 to March 1977).
Thanks Jake (ol'catfishinthelake at BTX and Greasy Lake) for the lyrics help.
List of available versions of TENTH AVENUE FREEZE-OUT on this website:
TENTH AVENUE FREEZE-OUT [Album version]
