OVER THE RISE

Official studio version

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I walk along the levee to see the gypsy man
The dirt 'neath my feet, baby, 's turnin' to quicksand
He looked into my palm, then looked me in the eye
Told me you were gone, gone over the rise

Once we stood together at the wishing well
Our wishes like dreams, baby, into the water fell
Oh then I kissed your lips, but when I looked into your eyes
They were gone, gone over the rise

Tonight the blackbirds fly low on the water's edge
Oh we walked this path not knowing where it led
Now at the bottom of the river deep lies something shiny and golden
Is a promise that love couldn't keep same as a promise broken

Well I woke last night to the sound of rain
The wind rustling branches against the window pane
I searched the pillow beside me for the tears we cried
Baby they were gone, gone over the rise

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Info

OVER THE RISE is a song written by Bruce Springsteen and released on the Tracks box set in 1998. The above lyrics are for Bruce Springsteen's official studio version of OVER THE RISE as released in 1998.

Writing and Recording

Springsteen told Mark Hagen in an interview for Mojo magazine published in January 1999, "I was going to go out and play with a band and needed music that was going to fill that straw, but in the meantime I wrote about half a record on the bass, where you had a note and you had your idea. I wrote about half or more of a record. The only one that made it to release was 57 Channels, but on this thing there was Over The Rise, When The Lights Go Out, Loose Change, Goin' Cali, Gave It A Name, even My Lover Man, all these very psychological portraits of people wrestling with relationships and their own isolation." All these songs were recorded in Dec 1990 or Jan 1991, and were probably written in summer-fall 1990.

The song title had circulated among fans after being registered at the US Copyright Office 06 Sept 1995.

Bruce Springsteen writes in his book Songs, "[The Human Touch album] took shape when Roy [Bittan] and I would play together in my garage apartment and make tapes of songs and arrangement ideas I came up with. Then we'd go into the studio and set up what essentially a two-man band. I would sing and play guitar; Roy would play keyboards and bass. Together we'd perform to a drum track. The two of us could create an entire band sound live in the studio [...] Then musicians would come in and play to what we recorded, or we'd play with them and record the songs live." On this official recording of OVER THE RISE, Springsteen handles guitar, bass, and vocals, and is accompanied by Roy Bittan on keyboards and Shawn Pelton on drums. According to the Tracks booklet liner notes, OVER THE RISE was recorded on 07 Dec 1990 at Soundworks West in Los Angeles, CA. The track was recorded by Toby Scott, mixed by Bob Clearmountain, and produced by Bruce Springsteen, Jon Landau, Chuck Plotkin, and Roy Bittan.

Lyrics

A typed lyrics sheet for OVER THE RISE was auctioned in March 2011 on GottaHaveRockAndRoll.com. The lyrics are hand-annotated in red ink by Bruce Springsteen, leading to the final draft printed on the Tracks box set booklet. It seems that this sheet was part of a larger stack that served as a proof that was passed through Springsteen for final revisions before the lyrics get printed on the booklet.

The song title appears in the lyrics of several other songs from the same period: LUCKY TOWN, REAL WORLD, and ROLL OF THE DICE. The line "Is a promise that love couldn't keep same as a promise broken" is borrowed from Pauline Kael's book I Lost It At The Movies.

Tracks

In the liner notes of his Tracks box set, Bruce Springsteen introduces the box set as follows:

During long intervals between my record releases, as I was spending more and more time in the studio, when I met a fan out on the street I was often asked, "What are you guys doing in there?" I regularly pondered that question myself.

What we were doing in there was making a lot of music, a lot more music than I could use at any one time. As a result, my albums became a series of choices — what to include, what to leave out? I based my decisions on my creative point of view at the moment — the subject I was trying to focus on, something musical or emotional I was trying to express. In certain instances, as on Darkness on the Edge of Town, Nebraska, and The Ghost of Tom Joad, these choices crystallized the album I was making. On some of my other records the reasons I had for choosing one song over another, in hindsight, feel a good deal less significant. One of the results of working like this was that a lot of music, including some of my favorite things, remained unreleased.

This collection contains everything from the first notes I sang in the Columbia recording studio, my early and later work with the E Street Band, through to my music in the 90s. It's the alternate route to some of the destinations I travelled to on my records, an invitation into the studio on the many nights we spent making music in search of the records we presented to you. I'm glad to finally be able to share this music; here are some of the ones that got away.

- Bruce Springsteen, September 1998

Bruce Springsteen's albums were thematically linked even if they were not strictly concept albums; so some tracks that didn't fit the theme of the album ended up orphaned, not necessarily because they didn't meet his high standards, but because, he says, they didn't fit in with the tone or themes he mined for each set. Many of these unreleased studio outtakes got under the hands of bootleggers. Discussing that issue in 1984, Springsteen told Rolling Stone's Kurt Loder, "We record a lot of material, but we just don't release it all. [...] I always tell myself that some day I'm gonna put an album out with all this stuff on it that didn't fit in. I think there's some good material there that should come out. Maybe at some point, I'll do that."

During a break in The Ghost Of Tom Joad Solo Acoustic Tour, Springsteen thought that "if it's gonna be a year or longer in between records, I have all this music that I know is very good that I never released and I should release some of it whether it was just a CD or something. In that period of time, I should put something out because people would like to have it and I'd like to see it get out." He told Toby Scott (his audio archivist and recording engineer), "send me all the archives, send everything that we recorded". Scott then went to work gathering the potential material from Springsteen's massive audio library (located, along with Sony's sound archives, in the high-tech Iron Mountain facility near Buffalo, NY). "For a week or so," he told Billboard in a Nov 1998 interview, "I just listened to everything that I'd done that we hadn't put out. I made some very brief notes in a notebook, and then I just put it away. It was something that I could do at some point when I get to that place in a new project where I'm not sure how long it's going to take and it would be nice to sort of fill the gap so the fans wouldn't be so long without hearing any music from me".

Springsteen told Mark Hagen in an interview for Mojo magazine published in January 1999, "So it began just with that idea and we listened to about 250 songs, maybe more, I made quick notes in a notebook and put it away. A year went by, more maybe, and I came off the Tom Joad tour and I began to write acoustically again and I wrote about half a record. Then I got stuck and said, 'Well, I'm going to put this aside for a while.' Then I wrote half of an electric record, and hit the same place. So I thought, instead of waiting for another year to put something out I'll put some of this music together. So once again I went back to the archives." According to interview comments made by engineer Toby Scott (Springsteen's audio archivist and recording engineer), it was in February 1998 during solo sessions being conducted at Thrill Hill Recording (Springsteen's home studio) in Colts Neck, NJ, that Springsteen told Scott that the time was right to proceed with the long-anticipated box set of archived, unreleased studio takes. Thrill Hill Recording served as the main operational center for all Tracks project activities. Note that the "Thrill Hill Recording" name is used for whatever home studio Springsteen is recording at, whether it's in Rumson, NJ, Colts, NJ, or Beverly Hills, CA.

Springsteen told Billboard that the songs were culled from between 200 and 300 tunes. According to Toby Scott, the number was down to about 128 songs by late June 1998. It was then narrowed down yet again in July to about 100 songs that were prepped for the Tracks release. Although the project was originally projected to be a 6-disc set, there was a commercial decision made later in the summer to reduce the size of the release to a 4-disc (66-track) set. The package was delivered to Sony in mid-September in order to facilitate the mid-November 1998 release schedule.

Unreleased songs from the Greetings From Asbury Park, NJ sessions were not included on the box set due to ongoing and still-unresolved court proceedings involving most of these unreleased 1972 recordings. The court battle wasn't resolved until in 2001 (April 2001 in the UK and June 2001 in the U.S.), and those recordings are now free for release at any time. The opening four tracks of the box set — which were culled from Springsteen's 03 May 1972 Columbia Records audition — were not part of the court proceedings.

On 16 Jul 1998, Springsteen attended a convention for Sony Music Entertainment Inc. in Miami, FL, where he officially announced that a box set was the works and he played a tape of three songs: WHERE THE BANDS ARE, LOOSE ENDS, and I WANNA BE WITH YOU.

The Tracks box set was released on Columbia Records on 10 Nov 1998. It was issued on both compact disc and audio cassette formats. It's a 4-disc (or 4-cassette) set consisting of a total of 66 tracks (almost 4.5 hours long), 10 of which were heretofore unavailable single B-sides, 6 were demos and alternate versions of already-released material, and 50 (48 studio and 2 live) were never-before-released songs recorded during the sessions for Springsteen's many albums. Some tracks were treated with a recent touch-up here or there to give the older recordings a fresh polish.

• Disc 1 consists of material from 1972 to 1980, including Springsteen's very first Columbia Records audition for legendary A & R executive John Hammond. This disc also features additional songs most of which recorded for (but never released on) Springsteen's first four albums.
• Disc 2 consists of material from 1979 to 1983, taken primarily from the recording sessions of The River, Nebraska, and Born In The U.S.A.. Springsteen describes this disc as "almost the completely other album from 'The River'."
• Disc 3 consists of material from 1982 to 1987, taken primarily from the recording sessions of Born In The U.S.A. and Tunnel Of Love.
• Disc 4 consists of material from 1989 to 1998, taken primarily from the recording sessions of Human Touch.

Live History

Bruce Springsteen has never performed OVER THE RISE live.

Covers

As far as it's known, no artist has recorded and released Bruce Springsteen's OVER THE RISE.

Available Versions

List of available versions of OVER THE RISE on this website:

OVER THE RISE [Official studio version]

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Page last updated: 07 Apr 2012